Residual heat comes from the
western wall of a masonry building long after the sun is slunk below the
furthest twig of pavement you see. Lean against it; feel it creep around under
your shirt like a microscopic domesticated mammal. Pick a star and start there
counting. Lose track as clouds.
Wile the way down steps toward
your door and put on anything. Sounds of some kind. Turn off all light and then
turn back pretend or hope the dark smoke clears with the switch. Strip. Sit at
your desk on cold metal. Pimple at the pricks of your follicles and their cells
and their nerves. Put on layers of the nicest thing you own. Fill with smoke.
Sweat.
Figure the ocean has answers. Ask
the questions. Get only waves in reply.
Figure the sidewalk talks. Go
five miles and take the bus back. Diesel.
Figure a bottle sings. Play the
flute of it; the jaw harp of it.
Palpitate your corners, joints,
joists, abutments.
Focus your myopia on grid and
dictionary. Compose yourself; look straight.
Moment passes. She leaves without
so much as asking you to call tomorrow or suggesting that she will. And so you
lean against the still, hot bricks. Your high school chemistry would crystallize
a laundry blue liquid into flakes of silver with the addition of something in
equal proportions mole and catalyst. Now the precipitate is words but they walk
towards cabs and buses opposite where you are sitting subterranean or
suborbital: windowed in.
To crystallize these things. The
microscopic sensations off the bricks, the appearance of a footprint drying on
the sidewalk, the light reflecting on and off of the acrylic lines on the road
as cars pass. Where ordinarily your solipsism would permit your reticence there
is found a glowing wad of extroversion.
Scour surface for answer. The
Internet and it’s Whitmanic lists and shopping malls and those malls’ lists.
Part and parcel enigma of emotion to satisfy character count. Slowly slowly
dissolve the usefulness of pixel and bandwidth axle.
Question arises moonwise as while
you sit next to the speakers on loud and want to crawl into them and walk in
circles around the grooves of the record with the guitars and synths following
you like ivy and sunlight.
The artifice of intention
realizes itself in a heap of fur at the foot of your bed and the motion of
moment is the liquid your brain and the hot room and the condensation of
alcohol and the tap of beat and bass in
your subterranean or suborbital room.
Photographs do not have wind,
paintings do not have dust, a song does not have temperature. Artifice of
artifice all things are artifice.
Swimming pool deep end of room by
the drain hover. Calculate and extrapolate formula upon panic attack worth of
figures to cram this into a bottle that you can hurl out into the hot street to
break and splash and dry and break again in the thunder of the storm you see
out over New Jersey.
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